Another Musuem mystery. Was Turtle Bay’s copy of Little Mendocino painted by Grace Hudson herself? Or is it one of many dozens of copies made by other artists? “The Game is Afoot”, as another famous Holmes would say.
This miniature pendant replica represents the type and styling of gold objects that characterize the Tolima culture of central Colombia. A reproduction that accurately depicts a creation of inspiration from supernatural visions and nature. Often worn as a pendant, this piece captured an embellishing portrayal of a shaman being in an animal spirit form.
Did a local lawman really tangle with Black Bart? Explore the history of M. F. Eldridge, Black Bart, and Samuel Colt and delve into the fascinating history of Gold Rush stamped holsters in the September Artifact of the Month by volunteer Bob Harris.
In 1984, a traditional Quinua ceramic figurine was purchased from a Valerie’s Choice catalog by the
Redding Museum of Art and History, one of the predecessors of Turtle Bay Exploration Park.
We are excited to host artwork by Lura Wilhelm and some of her very talented University Preparatory students for free viewing at the Mosaic Restaurant Gallery. The artwork will be on display from now until the Shasta Arts Council’s Redding Cultural Cruise Art Day on Feb 1st, 2020. Please refer to the description cards at the exhibit for pricing and purchase information.
A lifelong horse lover, Suzie Burgess has transformed her passion into tangible results to become a growing name in the equestrian art sphere. Her masterpieces from various collections have been spotlighted at multiple showings on the West Coast, and her life-size portraits have most especially earned acclaim. An expert at completing realistic commissioned paintings as well as original work, Burgess is able to capture the intricacies of the equine spirit that can be enjoyed for lifetimes.
On Tuesday evening, at the Mosaic Gallery, we hosted a very special opening reception for Suzanne Gibbs’ Carr Fire Exhibition, observing the anniversary of the Carr Fire and commemorating all that came to follow. It was a restorative evening of healing, and even at times, humor. The artist shared her personal experience of the Carr Fire which led to the unique technique of including ash in her artworks in an effort process the loss and devastation that occurred in her community of East Fork in French Gulch…
